In order for the reader to care about the plot, the characters need to care about the plot. Yeah, that’s a pretty basic observation, but it’s an essential ingredient. And Captain America #48 provides an excellent example of how it works.
An unscrupulous scientist seeks to eradicate about 35 percent of the world’s population—for the good of the planet, of course. To achieve this, he’s used the remains of the original Human Torch to create a virus, one that renders its victims combustible. (Marvel’s first Human Torch was an android who debuted in Marvel Comics #1 in 1939; no relation to the Fantastic Four’s Human Torch.)
That’s all a good start. It raises the stakes by putting the fate of the world in the balance. But that alone would be too big and too impersonal. We’ve seen the fate of the world imperiled time after time in comics. We need a personal connection.
In this case, Bucky Barnes fought alongside the Human Torch in World War II. They were colleagues and friends, and those were happier times for Bucky, before he was forced to become the Winter Soldier. Bucky already lost Steve Rogers not long ago, and now another friend’s memory and body are being disrespected. Bucky is fighting not only to save the world, but also to preserve the honor of a man he respected more than just about anyone (other than Captain America, of course).
Joining Bucky in this mission are Namor the Sub-Mariner (another WWII ally) and the Black Widow (his current girlfriend). They represent his past and present, and they both have their own personal reasons for getting involved.
Not that anyone should need a personal motivation for saving the world, but it makes for a much more interesting story.
Writer: Ed Brubaker
Pencilers: Butch Guice, Luke Ross, Steve Epting
Inkers: Butch Guice, Steve Epting
Cover: Steve Epting
Publisher: Marvel Comics
How to Read It: back issues; Marvel Unlimited; Comixology; included in Captain America: The Man With No Face (TPB)
Appropriate For: ages 14 and up