Tag Archives: Invisible Woman

Today’s Super Comic — Fantastic Four Annual #1 (1963)

Fantastic_Four_Annual_Vol_1_1Marvel’s early Silver Age was in top form in the Fantastic Four’s first annual.

The story, the FF’s longest-ever at the time, builds on elements previously established, such as the attraction between Namor and Sue Storm. Namor has finally found his Atlantean race, and they declare war on the surface world.

What’s most interesting, and groundbreaking for the era, is how Namor meets his defeat. (I’m going to spoil the ending, but this story is 53 years old, so…) The FF don’t succeed in overpowering the Sub-Mariner, but when the Invisible Girl is seriously hurt, Namor drops everything to get her to a hospital. The Atlanteans see this as a betrayal and abandon him, leaving Namor ostracized both on land and in the sea.

The issue represents what ‘60s Marvel was all about—epic action and big sci-fi ideas, all grounded in character. Sure, it’s dated, but it remains a fun time nevertheless because of the colorful characters inhabiting this imaginative world.

As a bonus, we get a short back-up story that expands a scene from The Amazing Spider-Man #1, in which Spidey crashes in on the FF’s home. And we all know what inevitably happens when 1960s Marvel superheroes meet for the first time…

Writer: Stan Lee

Penciler: Jack Kirby

Inker: Dick Ayers

Publisher: Marvel Comics

How to Read It: back issues; Marvel Unlimited; Comixology; included in The Essential Fantastic Four vol. 1 (TPB)

Appropriate For: ages 8 and up

Today’s Super Comics — Age of Ultron #1-10 (2013)

Age_of_Ultron_Vol_1_1I finally got around to reading the miniseries from which the last Avengers movie took its name, and yeah, other than the title and threat of Ultron, not much in the way of similarities.

Age of Ultron the comic begins as a post-apocalyptic tale featuring several Marvel superheroes striving to do whatever they can for a world that’s already ended. And it shifts gears into a time-travel adventure starring the odd-couple pairing of Wolverine and the Invisible Woman (a brilliant pairing, as they’re total opposites in so many ways—shame there wasn’t more time to spend with them). And it somehow winds up being a story about the importance of one deeply flawed man—Ultron’s creator, Hank Pym.

And even with the time-travel shenanigans and the inevitable reset to undo the apocalypse, events have consequences for the present-day Marvel Universe.

It’s not the movie, but it does feel like a big-budget superhero film in comic book form, with lots of favorite characters (and alternate versions of such) each getting time to shine. Nowhere near perfect, like the movie, but it’s lots of fun regardless, also like the movie. (So maybe there are more similarities.)

Different artists contributed over the course of the series, but the differences in their styles feel appropriate, never jarring. Bryan Hitch sets the tone in the first half—the man draws a great apocalypse. And, of course, Brian Michael Bendis wrote the entire series, and at this point I’m convinced he’s a comic book savant.

Writer: Brian Michael Bendis

Artists: Bryan Hitch, Brandon Peterson, Carlos Pacheco

Publisher: Marvel Comics

How to Read It: back issues; Marvel Unlimited; Comixology; Age of Ultron (TPB)

Appropriate For: ages 14 and up