Tag Archives: Crisis on Infinite Earths

Today’s Super Comic — Crisis on Infinite Earths #8 (1985)

Funny little coincidence: Thirty years before Supergirl and Flash starred in television shows on back-to-back nights, DC killed them off in back-to-back issues of Crisis on Infinite Earths.

Okay, maybe not funny. But either way, it’s Barry Allen’s turn to die in issue #8.

This Flash had been around for twenty-nine years at this point, and he had hit a creative low point with a protracted trial storyline that ended his series. So Barry died, sacrificing himself so that the Flash franchise could grow and evolve. Or, in story, sacrificing himself to save the universe.

Flash had been a captive of the Anti-Monitor for most of the miniseries thus far, and the villain’s henchman, the Psycho Pirate, tortured him with emotion-manipulating powers, continuing the trend of this being a low point for the Scarlet Speedster.

But this is the character who kicked off the Silver Age superhero resurgence in 1956, so he deserves one last chance to be amazing—and he gets it. Using his brains as much as his speed, and with only a whimpering lame villain to assist him, he sows confusion among the Anti-Monitor’s minions, allowing him to slip inside the main weapon. After a quick assessment, he knows what he needs to do—and what it will do to him. And he acts anyway. “More than my life is at stake,” he says as he starts running.

He dies running. He dies thinking. He dies alone, without any expectation that anyone would ever learn about his sacrifice.

There’s that old saying that the true test of character is what you do when no one’s looking. When no one was looking, Barry Allen sacrificed his life to save everyone else’s.

Like with Supergirl’s death, Flash’s death stayed true to the character, encapsulating what made him great and giving him a fitting send-off.

Kid Flash, Wally West, would take over, and his series would function as one long coming-of-age story—the former sidekick striving to live up to his hero’s example, this example. Wally’s series, which will always be a sentimental favorite of mine, worked so well that Barry was able to stay dead for longer than twenty years. By comic book standards, that’s a lengthy stint in the afterlife.

Barry hit rock-bottom, caught a last-minute second wind, and went out in top form.

Writer: Marv Wolfman

Penciler: George Perez

Inker: Jerry Ordway

Publisher: DC Comics

How to Read It: back issues; Comixology; included in Crisis on Infinite Earths (TPB)

Appropriate For: ages 10 and up

Today’s Super Comic — Crisis on Infinite Earths #7 (1985)

An editorial decree killed Supergirl, but that didn’t stop her from going out in a heroic blaze of glory.

Crisis on Infinite Earths was DC’s first huge crossover series. It pulled together not only every DC character, but also characters inherited from defunct companies such as Fawcett and Charlton. The series’ real-world purpose was to obliterate all these other universes so DC Comics could move forward with a modern, streamlined continuity in a single universe.

And, by the way, Superman needed to be the only surviving Kryptonian in that new continuity. But no one said Supergirl needed to quietly fade away. (Spoilers ahead, of course.)

In Crisis #7, a multi-universal group of powerful superheroes wages a last-ditch campaign against the forces of the even more powerful Anti-Monitor. (“The Anti-Monitor” may not sound like a formidable threat, but he did already destroy all but five universes. I suppose that follows the rule of “show; don’t tell.”) The first part of the issue focuses on lots of cosmic exposition, which I found much more interesting as a kid, but there’s a nice parable within about the danger of excessive pride—it can destroy entire universes! You’ve been warned, kids.

The real heart of the issue is when the focus shifts to Supergirl. It’s unfortunate that she spends the first half in the background, but that’s mega-crossovers for you. When she leaps into action, though, the issue suddenly becomes great.

Naturally, Superman is the first to reach the Anti-Monitor. Everyone expects him to be their best chance of taking down the villain and saving the remaining universes.

But Superman fails. He gets beat, and beat bad.

So Supergirl steps in and steps up. She’s thinking entirely selflessly. She wants to save her only living relative, not only because she cares about him but also because of what he means to the world. Mind you, she’s spent her entire time on Earth living in his shadow, so she’s assuming she could never possibly measure up to his example.

But she does. She clobbers the Anti-Monitor, destroys his machines, saves those universes for the time being…and then she makes a mistake, but for the right reasons. While she’s got the Anti-Monitor on the ropes, she turns away to urge someone else to get to safety, and the Anti-Monitor exploits the moment to fire the fatal shot. She dies exactly as a hero should—putting others first and herself last.

DC would eventually introduce another Supergirl (as I’ve covered before), and then reintroduce a version closer to the original. But in this continuity, this was the definitive ending for this version of the character. This Kara never came back from the dead.

But in her final moments, Supergirl was better than Superman.

Writer: Marv Wolfman

Penciler: George Perez

Inkers: Dick Giordano and Jerry Ordway

Publisher: DC Comics

How to Read It: back issues; Comixology; included in Crisis on Infinite Earths (TPB)

Appropriate For: ages 10 and up