Tag Archives: Angel

Today’s Super Comic — The Uncanny X-Men #319 (1994)

Here’s an excellent example of a mid-‘90s X-Men comic, one of the sort that writer Scott Lobdell excelled at.

Uncanny X-Men #319 features three conversations, each featuring a pair of X-characters and each different in nature. And there’s little in the way of comic booky action.

The cover story is Angel (then Archangel) and Psylocke on a date. Meanwhile, Rogue accompanies Iceman on a visit home to his parents, where he clashes with his bigoted father. And on the astral plane, Professor X chats with someone who appears to be Magneto…or is he????

So these three vignettes entail, respectively, a soapy romance, a message of tolerance, and the setup for the next big storyline. All three are essential ingredients to X-Men comics, but each conversation does something a little different than usual.

The budding Angel/Psylocke romance is refreshingly free of drama at this point, just two teammates growing closer in an organic way. Iceman’s father isn’t building any Sentinels. His bigotry is borne of ignorance rather than evil villainy, and as with most bigoted people, it’s not so simple as labeling them wholly “good” or “evil.” Also, Iceman and Rogue had seldom been paired up before this issue, but they had a good enough rapport that the movies later picked up on what started here. And the usual Professor X/Magneto discussion acquires an interesting subtext here once the twist is revealed.

All good stuff.

Writer: Scott Lobdell

Artist: Steve Epting

Inkers: Dan Green and Tim Townsend

Publisher: Marvel Comics

How to Read It: back issues; Marvel Unlimited; Comixology

Appropriate For: ages 11 and up

Today’s Super Comic — All-New X-Men #40 (2015)

all-new_x-men_vol_1_40Late in the original run of ­All-New X-Men, we get a quiet, talky issue, which provides a good opportunity to check in with how extended time-displacement is affecting some of the teenaged original X-Men trapped in the present. The experience is changing some of them, and others are trying to change as a result of what they’ve learned about their futures.

A good chunk of issue #40 focuses on Iceman during a revelatory heart-to-heart with Jean Grey, and also on Angel as he shares a moment with X-23, the young female Wolverine clone. The issue comes after a big cosmic storyline, so pacing-wise, it’s an excellent way to bring us back down to Earth.

Writer Brian Michael Bendis also works in several comedic beats that keep everything fun, while artist Mahmud Asrar deftly handles the shifting facial expressions—which is essential in making a talking-heads issue work in a visual medium.

Remarkably, this time-travel premise was not running out of gas 40 issues in.

Writer: Brian Michael Bendis

Artist: Mahmud Asrar

Cover: Andrea Sorrentino and Marcelo Maiolo

Publisher: Marvel Comics

How to Read It: back issues; Marvel Unlimited; Comixology; included in All-New X-Men vol. 7: The Utopians (TPB)

Appropriate For: ages 12 and up

Today’s Super Comic — X-Factor #13 (1986)

x-factor_vol_1_13Comics have been playing the nostalgia card for a long time. The first X-Men spinoff series to reunite the original five members was the original X-Factor in the mid-80s. It was fun from the start, as it’s always enjoyable to see these five X-Men together, but the initial premise had some major problems.

Cyclops, Beast, Iceman, Angel, and the recently resurrected Jean Grey (then Marvel Girl for the last time) were posing as specially trained humans who hunted mutants. Their marketing was anti-mutant to the point of contributing to the public’s fears, but of course, instead of “capturing” their targets, they were actually saving and training them. Still, not the most well-thought-out plan.

And then there was the fact that at this time, Cyclops was creepily married to a woman who looked exactly like dead former lover, and he had a son with this woman, but when he learns his dead former lover is no longer dead, he skips out on his wife and kid to join a team with her. Scott has never been more of a jerk, and that’s saying something.

But soon, to save the book from itself, the wife-and-husband creative team of writer Louise Simonson and artist Walter Simonson took over the title, and they began to rectify these foundational problems. By issue #13, characters are already getting some comeuppance for their bad judgment.

Millionaire Warren Worthington III, who is publicly known to be the winged mutant Angel, has been outed as the financial benefactor of the mutant-hunting organization, which raises some questions. And Cyclops finally returns home to his wife and child…only to find them missing, with hardly a trace they ever even existed, while the evil giant robot Master Mold is on a warpath toward him. (Not really enough comeuppance for Cyclops.)

There’s also the whole Scott/Jean/Warren romantic triangle thing going on. You know it’s not the ‘60s anymore, because the triangle has an extramarital element this time around. (So maybe it’s a square?)

It’s the X-Men at their most ridiculously soap operatic, but damn if it isn’t fun.

Writer: Louise Simonson

Artist: Walter Simonson

Inker: Dan Green

Publisher: Marvel Comics

How to Read It: back issues; included in Essential X-Factor vol. 1 (HC)

Appropriate For: ages 10 and up

Today’s Super Comics — All-New X-Men #1-5 (2012-13)

all-new_x-men_vol_1_1Pop culture, you may have noticed, is locked in a trend of repeatedly resurrecting old stuff in the modern era. Results have varied, but at least with All-New X-Men, nostalgia serves an interesting story.

The original five X-Men are transported from their early days to the much darker present, and these inexperienced teenagers confront the decades’ worth of convoluted backstory that lie ahead of them (decades to us, about one decade to them).

The X-Men had kind of gone off the rails in the time leading up to this—no X-Man more so than Cyclops, who’s basically on his way to becoming the next Magneto. While possessed by the Phoenix force, Cyclops killed Professor Xavier…and yeah, that sentence pretty much sums up the state of affairs.

So the Beast decides to bring their innocent younger selves to the present as the ultimate guilt-trip to Cyclops. Of course, the plan is to send them right back after modern Cyclops comes to his senses, but also of course, things don’t go according to plan, and five very young founding X-Men must integrate with the present.

Young Cyclops must deal with the fact that he grows up to become basically a villain. Young Beast witnesses the hubris his future self has developed. Young Iceman sees how little his future self has achieved. Young Angel observes that his future self is kind of crazy and not at all himself due to Apocalypse-related machinations. And young Jean Grey learns she’s dead and it wasn’t even the first time she died (she’s truly the standout character in this series).

These five issues are just the beginning of a story that’s yet to be resolved, and it’s a strong start. It’s time-travel shenanigans without a reset button in sight, brought about by one X-Man’s misguided good intentions.

Writer: Brian Michael Bendis

Artist: Stuart Immonen

Publisher: Marvel Comics

How to Read It: back issues; Marvel Unlimited; Comixology; ­All-New X-Men vol. 1: Yesterday’s X-Men (TPB)

Appropriate For: ages 12 and up

Today’s Super Comic — All-New X-Men #4 (2016)

All New X-Men 4Back in 2012, writer Brian Michael Bendis kicked off a brilliant concept—plucking the original teenage X-Men from their relatively innocent youth, sending them forward in time, and dropping them in the middle of the convoluted present-day continuity.

I would have thought Bendis and/or other writers would have resolved this tale of time-displaced X-Men by now. But I’m glad they haven’t. They haven’t nearly exhausted the creative possibilities yet, as evidenced by the relaunched ­All-New X-Men title, written by Dennis Hopeless and drawn by Mark Bagley.

I picked up the first trade paperback, and while the whole thing is solid the strongest issue within is the fourth, which kicks off the second storyline. By this point, the mission statement of the series comes into focus—this series will follow a group of seven young mutants trying to figure out their crazy lives and seize their own destinies after the adult Cyclops has totally made a mess of things.

The cast consists of the time-displaced younger versions of Cyclops, Beast, Iceman, and Angel (Jean Grey is hanging out with the adults in Extraordinary X-Men), the young female clone of Wolverine, and Idie and Kid Apocalypse from Wolverine and the X-Men. Too many X-titles over the past twenty-some years have juggled too many characters, so narrowing the focus to just these seven is a wise move.

Angel and the new Wolverine’s relationship gets the most attention in this particular issue, but every character is grappling with some personal problem or another. Cyclops’s is the most interesting—he’s seen that he’ll grow up to become basically a villain, so how does he avoid a future that has already played out?

Also, Angel and Wolverine run into the Blob, who’s a bit more formidable than he was in the good ol’ days.

Fun stuff so far, and I suspect the best is yet to come.

Writer: Dennis Hopeless

Penciler: Mark Bagley

Publisher: Marvel Comics

How to Read It: recent back issues; Comixology; included in All-New X-Men: Ghosts of Cyclops (TPB)

Appropriate For: ages 11 and up