Seems to be an appropriate time of year for Batman: The Long Halloween, though anytime near a major holiday would work. This Batman story is, as the title implies, long in scope, spanning a full year early in the Dark Knight’s career. A serial killer is targeting gangsters, but only on the holidays, giving Batman a mystery to haunt him for a full 365 days.
It’s a busy year in which we see many of our favorite Bat-villains, including quite a bit of Harvey Dent as he transitions into Two-Face. Early on, Harvey, Batman, and Commissioner Gordon make a vow to bring down the crime lord Carmine Falcone, a.k.a. the Roman—perhaps with bending some rules, but never breaking any, Gordon insists. You can spot the DNA of the excellent Dark Knight movie in that and other moments throughout. In Gotham City, doing the right thing takes a toll—but it still needs to be done.
Certain writer/artist teams seem to bring out the best in each other, and the quintessential example is frequent collaborators Jeph Loeb and Tim Sale, the writer and artist here. Sale’s panels are big, uncluttered, and consistently a little rough, which suits Batman’s world rather well, and Loeb writes a lean, efficient script that covers up a minimum of the artwork. Interestingly, the story has plenty of room to breathe over thirteen issues, but it still feels stripped down to its essential components.
And another plus—the story requires Batman to be a detective. That facet of him tends to get overlooked sometimes, particularly in other mediums.
The miniseries deserves its status as a classic. I wouldn’t call it the best Batman story or anything like that, but it certainly is something special.
Writer: Jeph Loeb
Artist: Tim Sale
Publisher: DC Comics
How to Read It: back issues; Comixology; Batman: The Long Halloween (TPB)
Appropriate For: ages 12 and up